Artist Gemma Clough has learned the hard way that creating street art demands a particular kind of preparation.

It wasn’t so much the hours of preliminary sketching and design work that surprised the Taupō graphic designer when she first transformed a public wall with cans of spray paint. Nor did she mind the mathematics required to calculate coverage and colour ratios. However, it was a shock to discover the sheer physical demands of large-scale artistry.
“That was the hardest undertaking in my life,” Gemma says, recalling the Pinky Promise piece she produced for Taupō’s annual Graffiato street art festival in 2021.
“I think I was at the wall for about 30 hours over the three days and it was hard on my whole body standing on either concrete or in a scaffold all day. It was hard on my knees, my arms were getting sore and I had really sore tendons from having to press down on spray cans.”
Pain aside, the artistic process proved addictive.